open-editions / corpus-joyce-portrait-tei Goto Github PK

The prototype transformation on github.io works fine on Firefox, but fails to transform correctly on Chrome and similar WebKit-based browsers. Chrome complains that "This XML file does not appear to have any style information associated with it. The document tree is shown below."

This is very likely due to an XSL issue, since XSL complains that:

runtime error: file portrait.xsl line 98 element attribute
xsl:attribute: Cannot add attributes to an element if children have been already added to the element.

Or, roughly, the proportions of planned features that are finished (marked up in every chapter).

Maybe use <lg type="song"> and the source attribute?

https://en.wikisource.org/wiki/Index:A_Portrait_of_the_Artist_as_a_Young_Man_(Huebsch_1916).djvu

A word can count as a member of this category if:

• it isn't in the OED
• it's in the OED, but the first citation is from Joyce's Portrait (see pandybat)

Find these by using a spell checker.

Sub-tasks:

• Chapter 1
• Chapter 2
• Chapter 3
• Chapter 4
• Chapter 5

See also relevant issue at @aaronplasek's repo: aaronplasek/19th_C._novel_scraper#7

As @tcatapano pointed out in #25, <milestone> is supposed to be an empty tag. Change this to an empty tag and remove the text, noting for XSL that * * * is the desired rendering of rend="asterixes".

Is it "foetus" or "fœtus"? Norton edition gives "foetus,"

Also, "poena damni" circa line 4581, or "pœna damni"?

Ae ligatures in "Synopsis Philosophiae Scholasticae"

I'm tempted to think that the electronic version from the OTA has these ligatures, since they're represented by such strange characters: Philosophi.^#

This is a far-future goal, but hopefully these guidelines will be useful for our editing process:

• Guidelines
• White paper on digital scholarly editions

This is interior to the text but exterior to the novel.

Around line 1646. Declines to 'maria', for BVM.

Among them, show line numbers (10s) from HWG's edition merged here.

With screenshots, I imagine

Note that these appear in the manuscripts in exactly this form---three asterisks.

This will be an ongoing effort, of course, but it'd be a good idea to get a working bibliography filled out with the major relevant works, at least.

The Modernist Journals Project has the full run of The Egoist that contains the first serialized publication of Portrait. It might be fun to do OCR on these PDFs.

PR #54 is missing some </said> tags.

The problems with <i> tags in the original SGML version are at least:

• <i>s surround italicized lines, even if those lines aren't verse, but prose.
• <i>s surround lines in line groups, when the entire line group should be italicized (in the style sheet), not each line individually

I'd recommend:

1. remove <i> tags in any line group, since all verse groups will be rendered as italic in the stylesheet.
2. convert inline <i>s to <hi rend="italic">

Not quite sure how to do this. The Origin of Species, the new testament, Aquinas.

Right now it's:

<p>1 Pair Buskins. </p>
<p>1 D. Coat. </p>
<p>3 Articles and White. </p>
<p>1 Man's Pants. </p>

Used named entity recognition software?

• Chapter 1
• Chapter 2
• Chapter 3
• Chapter 4
• Chapter 5

The original markup featured leading $s on lines of verse. Replace these with <lg> and <l>s, or more semantic tags, where appropriate.

Specification is here. There might be some advantages to using TEI Simple, especially when it comes to transforming the text for display. Maybe it'd be better to start from scratch.

Bonus: mark these up with JP Riquelme's section division descriptions from the Norton edition.

Sub-tasks:

• Chapter 1
• Chapter 2
• Chapter 3
• Chapter 4
• Chapter 5

• Why are you using <TEI.2>
• If you want to add Joyce's corrections and errors don't forget to ad an xml:id to Joyce, James.
• I would do a basic difference between the typographical layer and the semantic one. Thus, I would avoid the use of tags like <emph>: is that because is a foreign language <foreign>, a <title>, etc. I would leave the typo for the final
• Maybe here you would have to creat a @class for this kind of line: <l><emph rend="italic">Pull out his eyes,</emph></l> Why is in cursive?
• Not sure this is a line: <l> * * * </l>
• This is not either a line: <l>II</l>
• Once the paragraphs are settled, you could give an @xml:id

One reviewer comments:

Since there will be readers who are unfamiliar with GitHub, "it might be useful for the editor to explore ways of presenting the site with a separate, simple html page that explains what the project is, what to expect in GitHub, etc."

Currently:

<p><said who="Simon Dedalus">—<hi rend="italic">
<quote>I'll pay you your dues, father, when you cease turning 
the house of God into a pollingbooth.
</quote></hi></said></p>

Would like to get better attribution for the quote here.

It may be useful to extract all the songs from the novel at some point.

Should it be:

<milestone unit="section" rend="asterixes"><l> * * * </l></milestone>

</div> <!-- 1.3 --> 

<div n="1.4" type="section"> 

or:

</div> <!-- 1.3 --> 

<milestone unit="section" rend="asterixes"><l> * * * </l></milestone>

<div n="1.4" type="section"> 

or:

</div> <!-- 1.3 --> 

<div n="1.4" type="section"> 

<milestone unit="section" rend="asterixes"><l> * * * </l></milestone>

@jamesosullivan, what do you think?

1. Amass as many secondary works as possible in PDF.
2. OCR the PDF files, if necessary.
3. Identify passages discussed in secondary sources with quotation marks, block quotes, and/or >3 word matching phrases between the novel and source.
4. Link passage in novel with secondary source. Include URL to full text database.

Document:

• speaker IDs
• markup conventions
• journal entry dates

From Chapter I, Dante:

<p><said who="Dante">—
<quote>Woe be to the man by whom the scandal cometh!</quote> 
said Mrs Riordan. 
<quote>It would be better for him that a millstone were 
tied about his neck and that he were cast into the depth of the
sea rather than that he should scandalise one of these, my least
little ones.</quote> That is the language of the Holy Ghost.</said></p>